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design index: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Design De*sign" (?; 277), v. t. [imp. & p. p. Designed; p. pr. & vb. n. Designing.] [F. d[ e]signer to designate, cf. F. dessiner to draw, dessin drawing, dessein a plan or scheme; all, ultimately, from L. designare to designate; de- + signare to mark, mark out, signum mark, sign. See Sign, and cf. Design, n., Designate.] 1. To draw preliminary outline or main features of; to sketch for a pattern or model; to delineate; to trace out; to draw. --Dryden. [1913 Webster]

2. To mark out and exhibit; to designate; to indicate; to show; to point out; to appoint. [1913 Webster]

We shall see Justice design the victor s chivalry. --Shak. [1913 Webster]

Meet me to-morrow where the master And this fraternity shall design. --Beau. & Fl. [1913 Webster]

3. To create or produce, as a work of art; to form a plan or scheme of; to form in idea; to invent; to project; to lay out in the mind; as, a man designs an essay, a poem, a statue, or a cathedral. [1913 Webster]

4. To intend or purpose; -- usually with for before the remote object, but sometimes with to. [1913 Webster]

Ask of politicians the end for which laws were originally designed. --Burke. [1913 Webster]

He was designed to the study of the law. --Dryden.

Syn: To sketch; plan; purpose; intend; propose; project; mean. [1913 Webster]

Design De*sign", v. i. To form a design or designs; to plan. [1913 Webster]

{Design for}, to intend to go to. [Obs.] ``From this city she designed for Collin [Cologne]. --Evelyn. [1913 Webster]

Design De*sign", n. [Cf. dessein, dessin.] 1. A preliminary sketch; an outline or pattern of the main features of something to be executed, as of a picture, a building, or a decoration; a delineation; a plan. [1913 Webster]

2. A plan or scheme formed in the mind of something to be done; preliminary conception; idea intended to be expressed in a visible form or carried into action; intention; purpose; -- often used in a bad sense for evil intention or purpose; scheme; plot. [1913 Webster]

The vast design and purpos? of the King. --Tennyson. [1913 Webster]

The leaders of that assembly who withstood the designs of a besotted woman. --Hallam. [1913 Webster]

A . . . settled design upon another man s life. --Locke. [1913 Webster]

How little he could guess the secret designs of the court! --Macaulay. [1913 Webster]

3. Specifically, intention or purpose as revealed or inferred from the adaptation of means to an end; as, the argument from design. [1913 Webster]

4. The realization of an inventive or decorative plan; esp., a work of decorative art considered as a new creation; conception or plan shown in completed work; as, this carved panel is a fine design, or of a fine design. [1913 Webster]

5. (Mus.) The invention and conduct of the subject; the disposition of every part, and the general order of the whole. [1913 Webster]

{Arts of design}, those into which the designing of artistic forms and figures enters as a principal part, as architecture, painting, engraving, sculpture.

{School of design}, one in which are taught the invention and delineation of artistic or decorative figures, patterns, and the like.

Syn: Intention; purpose; scheme; project; plan; idea.

Usage: Design, Intention, Purpose. Design has reference to something definitely aimed at. Intention points to the feelings or desires with which a thing is sought. Purpose has reference to a settled choice or determination for its attainment. ``I had no design to injure you, means it was no part of my aim or object. ``I had no intention to injure you, means, I had no wish or desire of that kind. ``My purpose was directly the reverse, makes the case still stronger. [1913 Webster]

Is he a prudent man . . . that lays designs only for a day, without any prospect to the remaining part of his life? --Tillotson. [1913 Webster]

I wish others the same intention, and greater successes. --Sir W. Temple. [1913 Webster]

It is the purpose that makes strong the vow. --Shak. [1913 Webster]


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to spanish


design [dizain] dibujar
dibujar.idoneos.com plano, propósito
plano.idoneos.com
proposito.idoneos.com

to french


design [dizain] dessin
dessin.idoneos.com
dessiner
dessiner.idoneos.com
dessin
dessin.idoneos.com
plan, projet
plan.idoneos.com
projet.idoneos.com
esquisse
esquisse.idoneos.com


to deutch


design [dizain] Entwurf, Konstruktion, Planung
entwurf.idoneos.com
konstruktion.idoneos.com
planung.idoneos.com

design engineer [dizainend?ini?r] Konstrukteur
konstrukteur.idoneos.com

design features [dizainfi?t??z] konstruktive Maßnahmen
konstruktive.idoneos.com
maßnahmen.idoneos.com


to italian


design disegnare
disegnare.idoneos.com
disegno
disegno.idoneos.com
progetto
progetto.idoneos.com
progetto
progetto.idoneos.com


David Busch's Nikon D300 Guide to Digital SLR Photography

David Busch's Nikon D300 Guide to Digital SLR Photography by David D. Busch from Course Technology PTR

    Have you unpacked your new Nikon D300 digital SLR camera and want to get started right away taking professional quality pictures? David BuschÂ’s Nikon D300 Guide to Digital SLR Photography will show you how, when, and why to use all the cool features, controls, and functions of your camera to take great photographs of anything. After a brief introduction to the camera to help you get your bearings, youÂ’ll dive right into all the exciting, innovative capabilities of the D300 including the focus controls, flash synchronization options, how to choose lenses, and which exposure modes are best. Beautiful, full-color images illustrate where the essential buttons and dials are, and youÂ’ll find tips and techniques that can be applied to any type of photography to help you take better pictures with your new digital SLR. Whether you are new to digital SLR photography or an experienced pro, David BuschÂ’s Nikon D300 Guide to Digital SLR Photography will help you maximize your cameraÂ’s capabilities.

    List Price: $29.99
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    Things I have learned in my life so far

    Things I have learned in my life so far by Stefan Sagmeister from Abrams

      Amazon Best of the Month, March 2008: Many consider Stefan Sagmeister to be our most important living designer, but he reaches beyond design circles in sharing 20 Things I have learned in my life so far, including the fact that "keeping a diary supports personal development." Proving his point, this book grew from a list in his diary during a year-long commercial hiatus. He returned to paid work with greater freedom from clients and himself, and created a series of projects spelling out personal truths--"worrying solves nothing," "trying to look good limits my life," and other simple, meaningful statements. Most are public and interactive (words spelled out on the backs of swimmers in the Hudson River, or displayed by enormous blow-up monkeys lounging around Scotland, or flaming in Singaporean bamboo scaffolding), while others are more private experiments with intriguing materials (sausages, cacti, sperm). All are presented--along with personal anecdotes supporting his assertions and notes on the practicalities of creating each project--in an alluringly interactive format: a "box" of 15 booklets with unique covers that can be switched to transform the look of the case from creepy to lovely. --Mari Malcolm

      This book began as a list designer Stefan Sagmeister made in his diary under the title Things I have learned in my life so far, which includes statements such as "Worrying solves nothing" and "Trying to look good limits my life." The list reveals something that is profoundly true: Although human beings have been pursuing happiness for countless generations, it is not so easily achieved. And we need constant reminders to keep us on the right path.

      With the support of his clients, Sagmeister transformed these sentences into typographic works, from billboards in France to sign-toting inflatable monkeys on the streets of Scotland. Accompanied by essays from design historian Steven Heller, Guggenheim chief curator Nancy Spector, and UK psychologist Daniel Nettle, as well as Sagmeister's own words, the series is revealed as a complex blend of personal revelation, art, and design--an eclectic mix of visual audacity and sound advice.

      This book consists of 15 unbound signatures in a laser-cut slipcase. Shuffling the sequence of the signatures will produce 15 different covers.

      List Price: $40.00
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      The Visual Display of Quantitative Information, 2nd edition

      The Visual Display of Quantitative Information, 2nd edition by Edward R. Tufte from Graphics Press

        A timeless classic in how complex information should be presented graphically. The Strunk & White of visual design. Should occupy a place of honor--within arm's reach--of everyone attempting to understand or depict numerical data graphically. The design of the book is an exemplar of the principles it espouses: elegant typography and layout, and seamless integration of lucid text and perfectly chosen graphical examples. Very Highly Recommended.

        List Price: $40.00
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        The Design of Everyday Things

        The Design of Everyday Things by Don Norman from Basic Books

          With the many recent advances in technology, it seems, there has followed a diminution of quality. Electronic books have several advantages over their print counterparts, for instance. But for the time being, they're hard to use and unattractive to boot. Computers, which are supposed to make our lives easier, are commonly sources of frustration and wasted time. Movies are wondrously chock-a-block with special effects--but someone forgot the story. And so on.

          Donald Norman, a retired professor of cognitive science, is bothered to no end by the fact that grappling with unfriendly objects now takes up so many of our hours. Over the course of several books, of which The Psychology of Everyday Things was the first, he has railed against bad design. He scrutinizes a range of artifacts that are supposed to make our daily living a little easier, and he finds most of them wanting. Why, he asks, does a door need instructions that say "push" or "pull"? A well-designed object, he argues, is self-explanatory. But well-designed objects are increasingly rare, for the present culture places a higher value on aesthetics than utility, even with such items as cordless screwdrivers, dresser drawers, and kitchen cabinets. In their concern for creating "art," many designers don't seem to consider what people actually do with things. Such disregard, Norman suggests, leads to few objects being standardized: think of all the different kinds of unsynchronized clocks that lurk in microwave ovens, VCRs, coffee makers, and the like--and of all the different kinds of batteries needed to drive them. Why, he wonders, must we reset all those clocks whenever the power goes off? Some designer somewhere, he ventures, ought to develop a master clock that communicates with all other electric clocks in a home--one that, when reset, synchronizes its slave units.

          You don't need to be especially interested in technological matters to enjoy Norman's arguments. The book's underlying question is aimed at a global audience: will the design of everyday things improve? If this entertaining and, yes, well-designed book changes even a few minds, perhaps it will. --Gregory McNamee

          First, businesses discovered quality as a key competitive edge; next came service. Now, Donald A. Norman, former Director of the Institute for Cognitive Science at the University of California, reveals how smart design is the new competitive frontier. The Design of Everyday Things is a powerful primer on how--and why--some products satisfy customers while others only frustrate them.

          List Price: $16.95
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          Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)

          Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs) by Ellen Lupton from Princeton Architectural Press

            The organization of letters on a blank sheet -- or screen -- is the most basic challenge facing anyone who practices design. What type of font to use? How big? How should those letters, words, and paragraphs be aligned, spaced, ordered, shaped, and otherwise manipulated? In this groundbreaking new primer, leading design educator and historian Ellen Lupton provides clear and concise guidance for anyone learning or brushing up on their typographic skills.
            Thinking with Type is divided into three sections: letter, text, and grid. Each section begins with an easy-to-grasp essay that reviews historical, technological, and theoretical concepts, and is then followed by a set of practical exercises that bring the material covered to life. Sections conclude with examples of work by leading practitioners that demonstrate creative possibilities (along with some classic no-no's to avoid).

            List Price: $21.95
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            Graphic Artists Guild Handbook: Pricing & Ethical Guidelines (Graphic Artists Guild Handbook: Pricing & Ethical Guidelines)

            Graphic Artists Guild Handbook: Pricing & Ethical Guidelines (Graphic Artists Guild Handbook: Pricing & Ethical Guidelines) by Graphic Artists Guild from Graphic Artists Guild

              Graphic Artists Guild Handbook: Pricing & Ethical guidelines, 12th Edition is the industry bible, containing information all graphic artists and their clients need to buy and sell work in a totally professional manner. This edition has been revised and updated to provide all the information you need to compete in an industry moving at lightning speed.

              List Price: $35.00
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              Envisioning Information

              Envisioning Information by Edward R. Tufte from Graphics Press

                A remarkable range of examples for the idea of visual thinking, with beautifully printed pages. A real treat for all who reason and learn by means of images. -- Rudolf Arnheim

                List Price: $48.00
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                The Marvel Encyclopedia

                The Marvel Encyclopedia by Daniel Wallace from DK ADULT

                  Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.

                  List Price: $40.00
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                  Design Elements: A Graphic Style Manual

                  Design Elements: A Graphic Style Manual by Timothy Samara from Rockport Publishers

                    The graphic design equivalent to Strunk & White's The Elements of Style

                    This book is simply the most compact and lucid handbook available outlining the basic principles of layout, typography, color usage, and space.

                    Being a creative designer is often about coming up with unique design solutions. Unfortunately, when the basic rules of design are ignored in an effort to be distinctive, design becomes useless. In language, a departure from the rules is only appreciated as great literature if recognition of the rules underlies the text. Graphic design is a "visual language," and brilliance is recognized in designers whose work seems to break all the rules, yet communicates its messages clearly.

                    This book is a fun and accessible handbook that presents the fundamentals of design in lists, tips, brief text, and examples. Chapters include Graphic Design: What It Is; What Are They and What Do They Do?; 20 Basic Rules of Good Design; Form and Space-The Basics; Color Fundamentals; Choosing and Using Type; The World of Imagery; Putting it All Together?Essential Layout Concepts; The Right Design Choices: 20 Reminders for Working Designers; and Breaking the Rules: When and Why to Challenge all the Rules of this Book.

                    List Price: $30.00
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                    Understanding Comics: The Invisible Art

                    Understanding Comics: The Invisible Art by Scott Mccloud from Harper Paperbacks

                      A comic book about comic books. McCloud, in an incredibly accessible style, explains the details of how comics work: how they're composed, read and understood. More than just a book about comics, this gets to the heart of how we deal with visual languages in general. "The potential of comics is limitless and exciting!" writes McCloud. This should be required reading for every school teacher. Pulitzer Prize-winner Art Spiegelman says, "The most intelligent comics I've seen in a long time."

                      Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.

                      List Price: $22.95
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                      How Books Fingerprint: The Art of Using Handmade Elements in Graphic Design Fingerprint: The Art of Using Handmade Elements in Graphic Design ISBN: 1581808712

                      How Books Fingerprint: The Art of Using Handmade Elements in Graphic Design  Fingerprint: The Art of Using Handmade Elements in Graphic Design ISBN: 1581808712 Inside you'll find examples that showcase a variety of design methods including mixed media, illustration, letterpress, screenprinting, and collage. You'll find inspiration from outstanding designers and see how traditional elements can make a more powerful statement than anesthetized computer-only work. Editor: Amy Schell Format: hardback, 178 pgs., 9 1/4 in. x 10 1/4 in. Publisher: How Books, 2006

                      Chartpak Rapidesign Lettering Guides R-925 lettering aid 1/8 in. , 5/32 in. , 3/16 in. , 1/4 in.

                      Chartpak Rapidesign Lettering Guides  R-925 lettering aid 1/8 in. , 5/32 in. , 3/16 in. , 1/4 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-962 gothic vertical 1/8 in. , 3/16 in. , 1/4 in.

                      Chartpak Rapidesign Lettering Guides  R-962 gothic vertical 1/8 in. , 3/16 in. , 1/4 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-982 old English upper case 1/2 in.

                      Chartpak Rapidesign Lettering Guides  R-982 old English upper case 1/2 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-910 gothic vertical 5/16 in. 10 3/8 in. x 2 in. x .020 in.

                      Chartpak Rapidesign Lettering Guides  R-910 gothic vertical 5/16 in. 10 3/8 in. x 2 in. x .020 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-920 futura light 5/32 in. , 3/16 in. , 1/4 in.

                      Chartpak Rapidesign Lettering Guides  R-920 futura light 5/32 in. , 3/16 in. , 1/4 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-960 gothic vertical 1/8 in. , 3/16 in. , 1/4 in.

                      Chartpak Rapidesign Lettering Guides  R-960 gothic vertical 1/8 in. , 3/16 in. , 1/4 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-961 gothic vertical 5/32 in. , 3/16 in. , 1/4 in.

                      Chartpak Rapidesign Lettering Guides  R-961 gothic vertical 5/32 in. , 3/16 in. , 1/4 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-926 lettering aid 1/16 in. , 3/32 in. , 1/8 in. , 5/32 in.

                      Chartpak Rapidesign Lettering Guides  R-926 lettering aid 1/16 in. , 3/32 in. , 1/8 in. , 5/32 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.

                      Chartpak Rapidesign Lettering Guides R-963 gothic vertical 3/32 in. , 5/32, 3/16 in.

                      Chartpak Rapidesign Lettering Guides  R-963 gothic vertical 3/32 in. , 5/32, 3/16 in. Guides graphic and design work. Routed apertures ensure single stroke accuracy. Suitable for use with either pen or pencil. Upper case letters.


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