The World of Lith Printing: The Best of Traditional Darkroom and Digital Lith Printing Techniques
by Tim Rudman
from Aurum Press
Stone Lithography (Printmaking Handbooks)
by Paul Croft
from Watson-Guptill
Drawn from Nature: The Plant Lithographs of Ellsworth Kelly
by Richard H. Axsom
from Yale University Press
Kelly has occupied the center stage of modernism since his early years in Paris in the 1950s. Distinguished for his abstract style of pure color and shape, Kelly believes that his art remains rooted in the natural world. In their simplicity of line and shape, his widely admired and accessible plant lithographs provide a critical link to the character of abstraction and are a remarkable achievement within the framework of Kelly’s lifetime of accomplishment.
Egypt: Yesterday And Today
by Fabio bourbon
from Stewart, Tabori and Chang
This book shows the before and after of these ancient sites after excavation as never seen before. The wonderful and romantic images from David Roberts as were first seen when he travelled to Egypt, are contrasted with current photographs of the same sites. Although saving these monuments to the ancient past is most important to the world, one can't help but to wish to come upon these wonders when Roberts captured them in his drawings. Truely a must for anyone who has been to Egypt, or simply wants to arm travel through history.A large book with full color plates.
Discoveries: Toulouse-Lautrec (Discoveries (Abrams))
by Claire Freches-throy
from Harry N. Abrams
Waterless Lithography: An Artist's Guide to Making Professional-Quality Prints using Nik Semenoff's Method
by Jacob Semko
from Outskirts Press
Waterless Lithography, An Artist's Guide to Professional-Quality Prints using Nik Semenoff's Method is an excellent studio handbook for any printmaking lab. Step by step instructions aided by full color examples this book guides you through basic, intermediate and advanced aspects of Waterless Lithography.
Miro Lithographs (Dover Art Library)
by Joan Miro
from Dover Publications
Tamarind: Forty Years
from University of New Mexico Press
Founded in 1960, Tamarind Institute has had a major influence on art-making in the late twentieth century. Tamarind’s mission, based on the vision of founding director June Wayne—and her 1959 proposal to the Ford Foundation—has been to usher American lithography from relative obscurity to the forefront of printmaking, a mission it has accomplished with great success. This book documents many of the extraordinary prints that have been made at Tamarind and the artists and printers who have worked there over the last four decades.
Clinton Adams, artist and former director of Tamarind, offers his view of lithography in this country from the perspective of his half-century of involvement with it, and David Acton examines one of TamarindÂ’s most significant contributions, Abstract Expressionist prints. Pat Gilmour writes on the art of collaboration and Susan Tallman on where Tamarind fits into the history of printmaking and twentieth-century art. With its record of all the printersÂ’ chops and all the artists who have worked there, as well as the many local, national, and international programs Tamarind has sponsored and Marjorie DevonÂ’s essay on current events in the workshop, this book is an essential addition to the library of anyone concerned with contemporary printmaking.
Honore Daumier
by Bruce Laughton
from Yale University Press
Offset Lithographic Technology
by Kenneth F. Hird
from Goodheart-Wilcox Publisher
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Korn's Lithographic Tusche 1 1/2 in. x 4 1/2 in. x 1/4 in. stick
Used for making resist in silk screen and in lithography.
Korn's Lithographic Tusche 2 oz. liquid
Used for making resist in silk screen and in lithography.
Graphic Chemical Senefelder's Liquid Asphaltum 16 oz. can asphaltum
Tar product used as an acid resist in etching and inking base in lithography. Preserves and protects etched plates against oxidation and scratching.
Speedball Hunt Pen Nibs--Drawing No. 99 no. 99 pen nib box of 12
Extra fine point for drafting and lithography. Made from the finest steel and handcrafted in the USA. Pen holder sold separately. Use with .
Speedball General Purpose Pen Set two penholders and six pens
An assortment of artist and mapping pens are provided along with two different penholders to accommodate each pen. Best for delicate fine lines, lithography and cross-hatching. No. 2967
Speedball Hunt Pen Nibs--Flexible Quill No. 108 no. 108 pen nib box of 12
A bronzed finish quill pen for crosshatch, flourishing, and lithography. Made from the finest steel and handcrafted in the USA. Pen holder sold separately. Use with .
Speedball Sketching Pen Set set of 6 pens with 2 holders
Provides the artist with one set that includes pen nibs for drawing, sketching, lettering, lithography and cross-hatching. Includes a Speedball penholder for the Hunt 56, 99, and 512 pens and a Hunt 104 penholder for the Hunt 102, 107, and 104 pens. No. 2964
Simon & Schuster The Complete Printmaker The Complete Printmaker: Techniques/Traditions/Innovations
The most comprehensive up-to-date guide to printmaking on the market today, the revised, expanded, fully illustrated edition of this classic, containing 40 color plates and 600 black-and-white illustrations, covers every aspect of fine printmaking. Written by internationally recognized artists and teachers John Ross, Clare Romano, and Tim Ross, this book takes the reader, step by step, through the history and techniques of over 45 printmaking methods: from the traditional etching, engraving, lithography, and relief print processes to today's computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes. Paperback book measures 9 in. x 12 in., 352 pages. ISBN: 0029273722. Simon & Schuster.
Strathmore Lanaquarelle Watercolor Paper 22 in. x 30 in. sheet white cold press
This beautiful paper is popular for its resilient surface. A neutral white sheet without any odor, hand-picked one sheet at a time. Has the ability to withstand wet lifting, scraping, and other watercolor techniques and produces exquisite washes for watercolorists at any skill level. Recommended for acrylics, gouache, pastels, pen and ink, calligraphy, airbrush, drawing, silk screen, lithography, engraving and offset printing. 100% cotton, acid-free. 22 in. x 30 in. sheets cold press.
Fabriano Printing Papers 22 in. x 30 in. sheet soft white Tiepolo
Fabriano Tiepolo is a mould-made, acid-free, 100% paper suitable for etching, lithography, wood-cuts and engravings as well as drawing and other fine art techniques. Each sheet has four deckle edges and a watermark located in the lower right hand corner. Vellum surface finish, weight is 290gsm.Fabriano Rosaspina is a mould-made, acid-free paper suitable for artwork in all printmaking and most fine art techniques. Made of 60% cotton, the neutral pH guarantees permanence and resistance to aging. Paper has two deckle edges on the long sides of the sheet with a watermark running parallel to them. Vellum surface finish, weight is 220gsm.Fabriano Magnani Pescia is a 100% rag, neutral pH printmaking paper made on a very slow cylinder mould machine at the Magnani Mill. An excellent sheet for stone lithography, etchings, wood cuts, and silk screen as well as drawing. Each watermarked sheet has four deckle edges and a light sizing. Good for digital printing. Smooth surface finish, weight is 300gsm.
