The Dore Illustrations for Dante's Divine Comedy
by Gustave Dore
from Dover Publications
Digital Art Studio: Techniques for Combining Inkjet Printing with Traditional Art Materials
by Karin Schminke
from Watson-Guptill
Utilizing the combined experience of three traditional artists turned digital imaging pioneers, Digital Art Studio champions combining traditional art techniques with digital media. From their unique position as artists, educators, and technology consultants, the authors provide a wide range of ways to integrate digital processes, using them in unusual and challenging ways to reinvent traditional art techniques. The computer is profiled as the ultimate mixed-media machine, allowing the artist to readily combine an unbelievable array of media. The book covers the basic processes for preparing commercially available surfaces (canvas and watercolor and printmaking papers) and custom surfaces (handmade papers, wood, leather, and antique fabrics). More advanced methods are covered, including transferring digital images to absorbent surfaces and transferring digital images to three-dimensional surfaces. A showcase of the work of artists who have combined digital and traditional materials to produce outstanding work will inspire all artists, new and seasoned alike, to explore the new world of mixing traditional art with digital media.
William Blake: The Complete Illuminated Books
by William Blake
from Thames & Hudson
In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. A major retrospective exhibition of Blake's work can be seen at the Metropolitan Museum of Art (March-June 2001). 400 color illustrations.
Includes:
Jerusalem
Songs of Innocence and of Experience
All Religions are One
There is No Natural Religion
The Book of Thel
The Marriage of Heaven and Hell
Visions of the Daughters of Albion
America a Prophecy
Europe a Prophecy
The Song of Los
Milton a Poem
The Ghost of Abel
On Homers Poetry [and] On Virgil
Laocoon
The First Book of Urizen
The Book of Ahania
The Book of Los
Art Forms From The Ocean: The Radiolarian Atlas Of 1862
by Ernst Haeckel
from Prestel Publishing
At the nexus of art and science, this dazzling new edition of Ernst Haeckel's first work reintroduces the genius of an enigmatic scientist and passionate observer of the natural world.
Although original editions of this book are extremely rare, it is now available for the first time in paperback, beautifully reproducing his drawings and watercolors. While the variety and detail of Haeckel's drawings display an impressive understanding of biological structure, the skill with which Haeckel drew these tiny aquatic protozoa renders them genuine works of art. This volume features commentary and descriptions of each of the radiolarians from Haeckel's work.
Simple Screenprinting: Basic Techniques & Creative Projects
by Annie Stromquist
from Lark Books
Magic Eye Gallery: A Showing Of 88 Images
by Magic Eye Inc.
from Andrews McMeel Publishing
This paperback treasury is perfect for the insatiable Magic Eye fan. Its proportions are the same as the best-selling Magic Eye hardcover books, the paper is the same high-quality stock, but it contains three times as many images - 88 in all! Magic Eye Gallery is a collection of art from Magic Eye calendars; none of the images have ever appeared in book form before. With a retail price of $12.95, it's a bargain that can't be beat - a 96-page book filled with state-of-the-art Magic Eye images for the same price as the 32-page hardcovers! The same fans who put Magic Eye on the bestseller list will be tripling their pleasure with this striking collection.
Art Forms in Nature: The Prints of Ernst Haeckel (Monographs)
by Ernst Haeckel
from Prestel Publishing
Every biology student knows Ernst Haeckel as the originator of the "Biogenetic Law": ontogeny recapitulates phylogeny. Haeckel was a passionate student of the evolutionary shaping of biological forms, and Art Forms in Nature captures both his artistic sensibility and the scientific rigor he applied to all his studies. First published in 1904, Art Forms in Nature is a glorification of function and form, a demonstration of organic symmetry that has nothing--and everything--to do with nature as it actually exists. Each plate exhibits organisms carefully arranged and exquisitely detailed, "a symbiosis between decorative sketches and descriptive observations of nature," as Olaf Breidbach states in his fascinating introductory text. The radiolarians, medusae, rotifers, bryozoans, and even frogs and turtles lovingly recreated here are gorgeous and self-explanatory, rendered in delicate, filigreed lines, and colored gently with muted green, delicate pink, and sepia. Art students will appreciate the designs found in nature--scientists will love the evolutionary statement of form inherent in the beauty. --Therese Littleton
Thirty beautiful postcards of some of the world's best-known artists, reproduced in the highest quality and printed on thick, durable paper -- Prestel postcard books make a perfect gift.
Animals: 1,419 Copyright-Free Illustrations of Mammals, Birds, Fish, Insects, etc. (Dover Pictorial Archives)
from Dover Publications
Intaglio: Acrylic-Resist Etching, Collagraphy, Engraving, Drypoint, Mezzotint
by Robert Adam
from Thames & Hudson
"Shows readers how to do these methods the safer, healthier, more environmentally friendly way." Art Materials Retailer
This practical and inspirational book is a complete guide to creative intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes methods that, while employing a strong traditional basis, avoid the use of toxic materials to achieve stunning prints the modern, safety-first way.
Covering every stage of the plate-making and printing process, the book opens up creative possibilities for beginners and experienced printmakers alike. From setting up and equipping an intaglio studio, through choosing a printing method, to collating and presenting finished prints, this beautifully illustrated and comprehensive reference book is the only resource any art practitioner, educator, or student will ever need. 229 illustrations, 199 in color.
Getting It Printed: How to Work With Printers and Graphic Imaging Services to Assure Quality, Stay on Schedule and Control Costs (Getting It Printed) 4th Edition
by Eric Kenly
from How
Designers can save time, money and frustration with this essential guide to printing. Covering all of the topics that have made it a popular title for years, along with the latest developments in the industry, Getting It Printed features:
* A comprehensive look at how to work with printers--everything from estimates, pricing and negotiating to trade customs and quality guidelines
* Easy-to-follow explanations of the top printing processes and techniques
* All of the information designers need to choose the right papers and inks for their projects
* Hard-to-find knowledge about proofing, output and color
Whether they're independent, in-house or students, designers will want to have this book at hand. It's the ultimate printing resource!
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Watson-Guptill Printmaking for Beginners Printmaking for Beginners ISBN: 0823043800
Monotype, relief printing, intaglio, collograph, screenprinting, and lithography ? all the major printmaking processes are thoroughly explained in this ultra-handy guide. For this revised second edition, a chapter on carborundum printing, an exciting new process, has been added to make Printmaking for Beginners the most up-to-date and complete book on its subject. Hundreds of examples of the work of both beginning and accomplished printmakers illustrate the many different and exciting effects possible with the many different and exciting techniques ? and fifty new artworks have been added specially for this edition. Practical and inspiring, packed with illustrations and recommendations on tools, paper, equipment, materials, and safe working practices, this is the one book to have for anyone working in printmaking today. Book specifications: paperback, 128 pgs., 6 1/8 in. x 9 1/4 in. Publisher: Watson-Guptill, 2005.
Arches Text Printmaking Paper 25.5 in. x 40 in. sheet
Arches Text is a mould made, white 100 percent cotton paper that is acid free and buffered. It has a pronounced grain, four deckle edges and a registered watermark. Excellent for all printmaking techniques. Arches papers manufactured for printmaking offer conservation quality, symbolized by the sign of infinity in the watermark of each. High quality Arches printmaking papers offer both beauty and preservation to all those who depend upon paper to endure. Arches printmaking papers are well suited to lithography, line engraving, and silkscreen. Since these papers are lightly sized, they are very absorbent. When used in offset printing, it is necessary to wash the blankets frequently. Arches papers are distinguished by their handmade deckle edges. Because of them, sheet sizes may vary by as much as 5 mm, or 0.01 in. Therefore, it is not possible to guarantee that each sheet is identical to the next, only to guarantee that each sheet is uniquely and beautifully Arches.
Scratch Art Foam Brayer 2 1/2 in. brayer with foam head
For use with stencils, cutouts, printmaking and other water-based painting and printing techniques. Provides unusual effects similar to airbrush, spatter, stipple, and dry-brush due to special foam texture. 2 1/2 in. wide.
Scratch Art Foam Brayer 2 1/2 in. replacement foam head
For use with stencils, cutouts, printmaking and other water-based painting and printing techniques. Provides unusual effects similar to airbrush, spatter, stipple, and dry-brush due to special foam texture. 2 1/2 in. wide.
Simon & Schuster The Complete Printmaker The Complete Printmaker: Techniques/Traditions/Innovations
The most comprehensive up-to-date guide to printmaking on the market today, the revised, expanded, fully illustrated edition of this classic, containing 40 color plates and 600 black-and-white illustrations, covers every aspect of fine printmaking. Written by internationally recognized artists and teachers John Ross, Clare Romano, and Tim Ross, this book takes the reader, step by step, through the history and techniques of over 45 printmaking methods: from the traditional etching, engraving, lithography, and relief print processes to today's computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes. Paperback book measures 9 in. x 12 in., 352 pages. ISBN: 0029273722. Simon & Schuster.
Speedball Flexible Printing Plate 9 in. x 12 in.
A soft, flexible printing plate, about 1/16 in. thick. It has a smooth surface on one side and a self-adhering adhesive on the other side. May easily be cut with school scissors or tooled with traditional printmaking tools. It works exceptionally well using the safe Linozip tool.
Speedball Block Printing Water Soluble Ink 16 oz. green
Speedball Water Soluble Block Printing Inks make printmaking fun and easy They are easy to clean up with water and dry to a rich, satiny finish. The inks are ideal for use with all printing surfaces, including linoleum, wood, . The inks conform to ASTM D-4236. They're excellent for studio, school, or home use. Speedball Water Soluble Block Printing Inks are available in 1.3 oz. and 2.5 oz. tubes, and 16 oz. jars.
Speedball Block Printing Water Soluble Ink 16 oz. white
Speedball Water Soluble Block Printing Inks make printmaking fun and easy They are easy to clean up with water and dry to a rich, satiny finish. The inks are ideal for use with all printing surfaces, including linoleum, wood, . The inks conform to ASTM D-4236. They're excellent for studio, school, or home use. Speedball Water Soluble Block Printing Inks are available in 1.3 oz. and 2.5 oz. tubes, and 16 oz. jars.
Speedball Block Printing Water Soluble Ink 1.3 oz. blue
Speedball Water Soluble Block Printing Inks make printmaking fun and easy They are easy to clean up with water and dry to a rich, satiny finish. The inks are ideal for use with all printing surfaces, including linoleum, wood, . The inks conform to ASTM D-4236. They're excellent for studio, school, or home use. Speedball Water Soluble Block Printing Inks are available in 1.3 oz. and 2.5 oz. tubes, and 16 oz. jars.
Speedball Block Printing Water Soluble Ink 1.3 oz. magenta
Speedball Water Soluble Block Printing Inks make printmaking fun and easy They are easy to clean up with water and dry to a rich, satiny finish. The inks are ideal for use with all printing surfaces, including linoleum, wood, . The inks conform to ASTM D-4236. They're excellent for studio, school, or home use. Speedball Water Soluble Block Printing Inks are available in 1.3 oz. and 2.5 oz. tubes, and 16 oz. jars.

